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Of Violet Mansergh—who is still at the Towers, her father being abroad and Lady Rodney very desirous of having her with her—she knows little. Violet is cold, but quite civil, as Englishwomen will be until they know you. She is, besides, somewhat prejudiced against Mona, because—being honest herself—she has believed all the false tales told her of the Irish girl. These silly tales, in spite of her belief in her own independence of thought, weigh upon her; and so she draws back from Mona, and speaks little to her, and then of only ordinary topics, while the poor child is pining for some woman to whom she can open her mind and whom she may count as an honest friend "For talking with a friend," says Addison, "is nothing else but thinking aloud.",

Some one comes in with a lamp, and places it on a distant table, where its rays cannot distress the dying man.,

The postman himself is an institution in the village, being of an unknown age, in fact, the real and original oldest inhabitant, and still with no signs of coming dissolution about him, thereby carrying out Dicken's theory that a dead post-boy or a dead donkey is a thing yet to be seen. He is a hoary-headed old person, decrepit and garrulous, with only one leg worth speaking about, and an ear trumpet. This last is merely for show, as once old Jacob is set fairly talking, no human power could get in a word from any one else.,

From the hills the scent of the heather is wafted towards him, filling him with a subtle keen sense of youth and gladness and the absolute joy of living. His good dog is at his heels; a boy—procured from some neighboring cabin, and warranted not to wear out, however long the journey to be undertaken or how many miles to travel—carries his bag beside him.

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"I am a stranger; I know nothing," she says again, hardly knowing what to say, and moving a little as though she would depart.,

"You will introduce me to your wife?" she asks, after a few minutes, in her even, trainante voice, and is then taken up to the big arm-chair before the fire, and is made known to Mona.,

At the farthest end of the room, near a window, lying back in an arm-chair, lies Mona, sound asleep.,

The air is full of death and desolation. It is cold and raw, and no vestige of vegetation is anywhere. In the distance, indeed, she can see some fir-trees that alone show green amidst a wilderness of brown, and are hailed with rapture by the eye, tired of the gray and sullen monotony. But except for these all is dull and unfruitful.